2026 Studio Statement

My work offers a close up, intimate view of organic and historical imagery coexisting with spontaneous expression, blurring the boundries between the recognizable and the imaginary realm. In this symbiotic relationship, the viewer is invited to explore the juxaposition of order and whimsy.

In this microcosm, the fusion of elements offers a fresh perspective on the coexistence of diverse forms of beauty in our world. We are reminded of the interconnectedness of humanity and the potential for positivity on a larger scale.

Heading to a residency at Millay Colony last September, I challenged myself to start a new project with very simple supplies: water-based paint, spray paint and Yupo paper. I planned to use portraits I’d taken with my phone and portrait-like drawings from my notebooks—images that felt too personal or “corny” in the oil paintings I’d been working in the studio.

This turned out to be ideal as I embraced the limitation of my self imposed regimen. I had already been exploring a sense of simplicity in my recent group of oil paintings. In these works, I combined three core elements: (1) the background, (2) a rendered image from photos I’d taken or from my current surroundings, and (3) an image from my notebooks. I adhered to this trio of elements, even when back in my studio and working with oil paint on linen.

I’m excted by the clarity of vision I’ve gathered through these limitations. This approach allows me to blend different styles within a sing work-practice I find visually stimulating and reflective of contemporary ways of seeing. At the same time, it grounds me in traditional techniques like drawing and painting.